Sunday, September 13, 2009

Candice Breitz: Same, Same



Candice Breitz
Still from Factum Kang, 2009
Featuring Hanna Kang and Laurie Kang
Courtesy the artist

Given my background in film and interest in the creation of identity via visual language (individually and collectively), I've found Candice Breitz' work to be of special interest. And, as it happens, I had the lucky opportunity to see/hear/feel/almost taste Breitz' Legend (A Portrait of Bob Marley) installation at the Museum of Contemporary Art Denver in late 2007, whilst I was a docent-ing away the hours and hours. Loved it!

Given Brietz' investigation of these issues via recontextualization, I imagined her work would be of general interest to our Foto4 Group, as this is a topic of much discussion.


Candice Breitz: Same Same
19 September - 15 November 2009

The Power Plant
231 Queens Quay West
Toronto ON Canada M5J 2G8

www.thepowerplant.org

Tuesday, September 8, 2009









Izah Gallagher
End of Summer, 2009
Digital Photography
© Izah K. Gallagher

It's my birthday -- enjoying the Indian summer on the patios at Indulge and Casa Jones with MB, Kat, Jessica, Chris and the Wills, i.e., Big Will and Lil' Will. Enjoy, Izah

Foto4 Group: Since we're discussing lighting, I choose to post these images as they capture the look/feel/light of the last night of summer. Lighting notes: out of doors, late summer; quality/color = soft and cool; direction/source = sun low on the horizon, with some candles and outdoor halogen lights.

Saturday, September 5, 2009

Guy Tillim



Guy Tillim
Grande Hotel, Beira, Mozambique, 2008
(Courtesy of Michael Stevenson, Cape Town)

Given my interest in historical, architectural, ethnographic, and anthropological photography, I was curious to explore this collaborative exhibition between Guy Tillim and Extra City. I find myself drawn to stories of colonization and its intended and unintended after effects, perhaps because I spent my most formative years in Africa? Or, perhaps, because members of my family spent formative years 'settling' in the Texas, New Mexico, Colorado?

[An aside: The Cator brothers started ranching on the Palo Duro in 1878. They built a house and started a store they called the Zulu Stockade, because they considered their territory as wild as the Zululand in Africa. Interesting.]

Guy Tillim: Avenue Patrice Lumumba
06/09 - 25/10/2009

Extra City – Kunsthal Antwerpen
Tulpstraat 79 –
2060 Antwerp – Belgium
info@extracity.org



"Extra City presents the project Avenue Patrice Lumumba by Guy Tillim in collaboration with the Flemish-Dutch House deBuren a few months before the 50th anniversary of Congolese independence from Belgium.

Avenue Patrice Lumumba is an examination of modern history in Africa against the backdrop of its colonial and post-colonial architectural heritage. It travels through numerous African countries, including Mozambique, Angola and The Democratic Republic of Congo.

In this project, the South African photographer Guy Tillim (1962, Johannesburg) departs from the late-modernist architectural structures that shaped the colonial landscape of conflicts in recent decades. However, the transitional and hybrid sceneries and spaces he depicts do not merely testify to conflict and an oppressive past, decay and violently contested ideologies. They speak equally of the aspirations for liberation and progress in the post-colonial era."

p.s. p.s. Lighting notes: indoors; quality/color = perhaps, existing natural light plus additional source; source/direction = appears to be front lit, eliminating shadows.

CCTV:The Get Out Clause and Father Guido Sarducci

I thought the famous CCTV music video from The Get Out Clause seemed especially relevant for our Foto4 Group given recent discussions regarding re-contextualization. By way of background, the band set up their music equipment, from microphones to drum kit, in eighty different locations, including buses and what appear to be taxi cabs, and then requested all of the footage using the Data Protection Act. Interesting and scary.


Also, as a Labor Day weekend bonus, please to enjoy Father Guido Sarducci on art school and the the advantages of being an artist. (And, The truth about IKG and the great career change of '07 is revealed.) The short clip was produced by George Manupelli and William Farley in 1982 at San Francisco Art Institute and it won a 198 Clio award.

Source for both clips: www.youtube.com.

http://www.youtube.com/watch?v=W2iuZMEEs_A

http://www.youtube.com/watch?v=MK0ITXBWpHE

p.s. I'd argue that both clips are ongoing, international exhibitions.

p.s. Lighting notes:

CCTV -- various existing internal and external lighting; quality/color = everything from fluorescent indoors to natural out of doors lightening combine to create low quality, low contrast, fuzzy images.

Father Sarducci -- indoors; quality/color = relatively low key lighting creating strong contrast and sharper shadows, i.e., chiaroscuro ; source/direction = appears to be lit with multiple lights, perhaps classic Hollywood three point lighting, i.e., back, fill, key.

Friday, September 4, 2009

Taroop et Glabel



Taroop et Glabel
Les belles images de T & G, 2009
Photography, 47 x 57 cm
Courtesy Semiose galerie

More on recontextualization of photographs.

p.s. Lighting notes: quality/direction/source = copy stand, with multiple lights given no shadow or glare.

p.s. I'm not sure why this image isn't showing up. Please see website below until link is fixed!


Taroop & Glabel
Les belles images de T & G
4 September - 3 October, 2009
Opening 4 september 6 : 00 p.m
Semiose galerie
3 rue des Montibœufs
75020 Paris
France


http://www.semiose.com
http://www.facebook.com/event

Tuesday, September 1, 2009







Izah Gallagher
Opening, 2009
Digital Photography
© Izah K. Gallagher

I linked these images together in an attempt to create a sense of movement and narrative and time. If these images inspire, please to write a lovely poem or caption, perhaps even in Spanish.

Andreas Bunte



ANDREAS BUNTE
La Fée Electricité, 2007
16mm fi lm, black and white, silent
12’ - Courtesy the artist and Galerie Ben Kaufmann, Berlin
Stills: Hans Moser, Thomas Rosier

I tend to be drawn to images that reference film and history and beauty. Andreas Bunte's image above is featured at Contour 2009 -- in fact it is the campaign image for the Biennial. Contour "takes place every two years, and runs for two months, from August to October.... [It] has presented itself as ‘the first comprehensive exhibition in Flanders entirely dedicated to art made in moving image." Stunning beautiful.